Structure

Structure started as a personal discipline: one architectural subject per week, no brief, no client, no deadline. Over the course of a year it became something more considered — a survey of how London's built environment handles the gap between ambition and function, between the drawing and the thing itself. The project was shot almost entirely on overcast days, which flattened the drama and forced attention onto shape and proportion rather than light. We're still not sure if that was a choice or a habit.